Lensa Canon EF 24-70mm f2.8 L USM/ EF 24-70mm F2.8L USM Lens

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Like most 24-70mm zoom lenses, the 24-70 L shows some barrel distortion on the wide end. More specifically, a bulge in the middle of the frame. Barrel distortion disappears around 35mm. A very slight pincushion distortion begins at 50mm and becomes moderate by 70mm.

Color, contrast and saturation are excellent. CA (Chromatic Aberration) is very well controlled - especially for a zoom lens. The wide 8-blade aperture produces a nice quality background blur and a nice amount of it.

Prime lenses (fixed focal length lenses) are often compared favorably to the 24-70 L. They are generally less expensive, smaller, lighter, faster (aperture) and very sharp. My personal preference is for zoom lenses for my photography applications in this focal length range. To me personally, the ability to change framing instantly far outweighs the slight image quality advantages fixed focal length lenses offer over the 24-70 L.

I\'m often asked - can images shot with a consumer zoom lens be post-processed to result in images similar to 24-70 L images? The answer is: you can adjust contrast and saturation, but you cannot add missing detail. And, color can be very difficult to match later. So, using a better lens will usually result in better post-processed images. Most primes and L lenses are noticeably better than consumer zooms.

Image quality is not the only pro-grade feature of the Canon EF 24-70mm f/2.8L USM Lens. Excellent AF is part of the equation. A Ring USM (Ultrasonic Motor) AF system delivers quiet, fast and accurate autofocus. The 24-70 L\'s f/2.8 aperture enables the enhanced-sensitivity of many Canon EOS DSLR body\'s AF points. As usual for a Ring USM AF system, FTM (Full-Time Manual) focusing is enabled. The 24-70 L does not extend with focus and the 77mm filter ring does not rotate